{"title":"Slipcase","description":"","products":[{"product_id":"the-films-of-doris-wishman-the-twilight-years-agfa","title":"The Films of Doris Wishman: The Twilight Years","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss \u003cem\u003emagnetized\u003c\/em\u003e slipcase \u0026amp; slipcover set is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e5,000 units\u003c\/strong\u003e\u003c\/span\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. This is Vol#1 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003estarring: Various\u003cbr\u003e1970-1977 \/ 523 min (combined) \/ 1.37:1, 1.85:1 \/ English Mono\u003cbr\u003e  \u003cbr\u003eAdditional info:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974)\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by artist Peggy Ahwhesh\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cem\u003eDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eLET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Twilight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cem\u003eDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTHE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e1AwVFRN99w\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":45087131533603,"sku":"AGFA-038 SLIP","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":45087131566371,"sku":"AGFA-038","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/doriswishmanvol.1boxfront.jpg?v=1696604785"},{"product_id":"the-films-of-doris-wishman-the-moonlight-years-agfa-something-weird","title":"The Films of Doris Wishman: The Moonlight Years","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss \u003cem\u003emagnetized\u003c\/em\u003e slipcase \u0026amp; slipcover set is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e5,000 units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. This is Vol#2 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}'\u003e1965-1969 \/ 623 min (combined) \/ \u003c\/span\u003e1.37:1, 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eA TASTE OF FLESH: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eINDECENT DESIRES: Commentary with queer film historian Liz Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by author Mike Watt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969) \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003ePASSION FEVER: Preserved from the Something Weird S-VHS master*\u003c\/li\u003e\n\u003cli\u003eMY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Moonlight Years” photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}'\u003eTheatrical trailers\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e*Original film elements for these titles have been lost.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gYIlh79sb4c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":45087133630755,"sku":"AGFA-039 CASE","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":45087133663523,"sku":"AGFA-039","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/products\/wishmanvol.2boxfront.jpg?v=1686169619"},{"product_id":"the-films-of-doris-wishman-the-daylight-years","title":"The Films of Doris Wishman: The Daylight Years","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss \u003cem\u003emagnetized\u003c\/em\u003e slipcase \u0026amp; slipcover set is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e5,000 units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003cmeta charset=\"utf-8\"\u003eThis is Vol#3 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003edirected by: Doris Wishman\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003e1960-1965 \/ 428 min (combined) \/ 1.37:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eNUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\u003c\/li\u003e\n\u003cli\u003eBLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Daylight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\u003c\/li\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eGENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eUnseen Doris Wishman interview from 1974\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Restoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eTHE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements - in German with English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9RJAMnyjqQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":45087135826211,"sku":"AGFA-040 CASE","price":49.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":45087135858979,"sku":"AGFA-040","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/doriswishmanvol.2boxfront.jpg?v=1696604866"},{"product_id":"the-tale-of-tiffany-lust","title":"The Tale of Tiffany Lust","description":"\u003cp\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis special limited edition gold foil magnet clasp slipcase + slipcover set (designed by \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eRobert Sammelin\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e) is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTiffany is a typical New York housewife whose life couldn’t be better. The only thing is, she’s sick of it and has decided that today she will break free from the shackles of mundanity and explore all of her pent up sexual desires. After leaving a parting note for her husband, Tiffany is off to see Betty, an experienced prostitute who gives her a chance to explore her sapphic side. However, it's a visit to the wild goings on of New York's favorite sex themed radio series, The Florence Nightingale Show, that really opens her eyes to the unlimited realm of sensual possibilities. But as each erotic experience becomes more outrageous than the last, Tiffany begins to wonder whether liberation truly is better than love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA production long shrouded in authorial mystery, though ultimately revealed to have been secretly helmed by one of hardcore cinema’s most luminous auteurs, Radley Metzger (The Opening of Misty Beethoven), with assistance from one of France’s top makers of elegant erotic films, Gérard Kikoïne (Edge of Sanity), THE TALE OF TIFFANY LUST is a light hearted romantic comedy which stars one of France’s queens of sex cinema, Dominique Saint Claire (Aphrodesia’s Diary) along with America’s top names in hardcore: Veronica Hart (Roommates), Desiree Costeau (Ms. Magnificent), Vanessa Del Rio (Her Name Was Lisa), Samantha Fox (Babe), and George Payne (Blonde Ambition). Mélusine proudly brings this lost link between French and American hardcore to 4K UHD, exclusively restored in 4K from its original 35mm camera negative, also including, for the very first time on disc, its alternate “soft” version, which features numerous alternate, extended, and additional sequences along with a fresh interview with co-director Kikoïne who illuminates the wild history behind this maverick production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Gérard Kikoïne, Radley Metzger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Dominique Saint Claire, Veronica Hart, Desiree Costeau, Vanessa del Rio, Samantha Fox, and George Payne\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1981 \/ 86 min \/ 1.66:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-Disc Set: 4K Ultra HD + Region Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate feature-length soft version of THE TALE OF TIFFANY LUST\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Talking About the Tale of Tiffany Lust\" - a conversation with director Gérard Kikoïne\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Locations of Tiffany Lust\" - a now \u0026amp; then locations featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer (Hard)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer (Soft)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XE9i0CGVT3A\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mélusine","offers":[{"title":"Limited Edition Slipcase","offer_id":45582635532579,"sku":"MEL-001 CASE","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":45582635565347,"sku":"MEL-001","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/tiffanylustboxfront_4f0761e6-0c47-42d4-9571-30bfb2b5936f.jpg?v=1696604496"},{"product_id":"michael-findlays-flesh-trilogy","title":"Michael Findlay's \"Flesh\" Trilogy","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003eThis special limited edition 2-disc Blu-ray set comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Haunt Love) \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes a 40-page perfect bound book\u003c\/span\u003e and is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e4,000\u003c\/strong\u003e \u003cb\u003eunits\u003c\/b\u003e\u003c\/span\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFew filmmakers were more closely associated with the darkest, grimiest, and most shocking side of 1960s sexploitation than notorious auteur Michael Findlay (The Ultimate Degenerate), and no films better personify his uniquely twisted approach to the genre than the infamous \"Flesh\" trilogy.\u003c\/p\u003e\n\u003cp\u003eIn the first entry in the trilogy, THE TOUCH OF HER FLESH, Findlay himself stars as Richard Jennings; happily married to the beautiful Claudia (Angelique Pettyjohn). Richard leaves for a business trip only to return and discover Claudia in bed with her lover! Panic stricken, Richard staggers to the street and is hit by a car, losing an eye and gaining a limp as a result. Scorned and vengeful, Richard adopts a new identity and begins a murderous rampage against all women he deems \"immoral.\"\u003c\/p\u003e\n\u003cp\u003eIn THE CURSE OF HER FLESH, the middle entry of the trilogy, Findlay returns as the bloodthirsty and eye-patched Richard Jennings. Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.\u003c\/p\u003e\n\u003cp\u003eIn the final installment of the trilogy, THE KISS OF HER FLESH, Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria (Uta Erikson), is hellbent on putting an end to Richard's orgiastic rampage...\u003c\/p\u003e\n\u003cp\u003eAll three of these perverted classics of underground sleaze have been newly restored in 2K from their uncensored 35mm camera negatives and are making their world Blu-ray debut from Distribpix Inc. and Something Weird!\u003c\/p\u003e\n\u003cp\u003edirected by: Michael Findlay\u003cbr\u003estarring: Michael Findlay, Angelique Pettyjohn, Uta Erikson, Peggy Sarno and Ron Scardera\u003cbr\u003e1967,1968,1968 \/ 75 min, 68 min, 69 min \/ 1.37:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray Set\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for the films\u003c\/li\u003e\n\u003cli\u003eA 40-page illustrated booklet containing newly written essays by Lisa Petrucci of Something Weird, film historian Heather Drain, and film historian Elizabeth Purchell \u003cem\u003e(\u003cspan style=\"color: #ff2a00;\"\u003eNote:\u003c\/span\u003e only included with the slipcase edition)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eBlu-ray Disc #1\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTHE TOUCH OF HER FLESH (1967) newly restored from its original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eFeature length audio commentary with film historian Heather Drain\u003c\/li\u003e\n\u003cli\u003e“Master Class With Roberta Findlay” an extensive discussion with actress and creative partner of director Michael Findlay recorded in 2019 at the Offscreen Film Festival in Brussels, Belgium\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers for THE TOUCH OF HER FLESH and THE CURSE OF HER FLESH\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eBlu-ray Disc #2\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTHE CURSE OF HER FLESH (1968) newly restored from its 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eTHE KISS OF HER FLESH (1968) newly restored from its 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eFeature length audio commentaries by film historian Heather Drain for THE CURSE OF HER FLESH and THE KISS OF HER FLESH\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pZU_9YNabfY?si=kIZJp5bboGmNZsjR\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":46657452736803,"sku":"DPIX-001 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":46657452769571,"sku":"DPIX-001","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/thefleshtrilogyboxfront.jpg?v=1698085261"},{"product_id":"roommates","title":"Roommates","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eThis special limited edition 2-disc Blu-ray set comes with a spot gloss hard slipcase + slipcover combo\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard) \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes a 40-page perfect bound book\u003c\/span\u003e and is limited to\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e4,000\u003c\/strong\u003e \u003cb\u003eunits\u003c\/b\u003e\u003c\/span\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eThe biggest stars, best directors, and highest production values; that is a QUALITY X film. These deluxe Blu-ray editions of some of the genre's masterpieces, along with plenty of hidden gems, offer beautiful restorations and plentiful bonus features, all presented in homage to its namesake of esteemed New York film distributor, Mature Pictures, the company which almost single handedly raised the bar for outstanding sex films, and whose films will be included in this fittingly elegant collection. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eJoan, Sherry, and Billie couldn’t be more different. Joan is a small town girl trying to make it as an actress in the big city; Sherry is a fashion model whose Achilles’ heel are easy men and easier drugs; and Billie is a former high class hooker who’s left that world behind for a career in TV production. Their lives become interwoven when Joan and Sherry move into Billie’s luxury apartment as roommates. Living together, the three women develop a bond and love for each other they never thought possible; learning from their respective successes, failures, traumas, joys, loves, and heartbreaks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the most critically acclaimed and awarded hardcore features ever produced, Chuck Vincent’s (Misbehavin’, In Love) ROOMMATES offers career performances from its all star cast, including Veronica Hart (Amanda By Night, Boogie Nights), Kelly Nichols (The Toolbox Murders), and Samantha Fox (Her Name Was Lisa). Astutely scripted by Vincent and Rick Marx (Doom Asylum) who took inspiration from the real lives of their leading ladies, this thought provoking and sobering drama ranked as one of the last true hardcore “crossover films” and at last comes to Blu-ray from Quality X, restored in 2K from the best surviving film elements, and featuring a comprehensive selection of new and archival interviews with cast and crew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Chuck Vincent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Veronica Hart, Kelly Nichols, Samantha Fox, Jerry Butler, Jack Wrangler, Bobby Astyr, Jamie Gillis, Gloria Leonard, Ron Hudd\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1982 \/ 89 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional Info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free 2-Disc Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 2K from multiple 35mm prints\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate Soft Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eX Rated Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSoftcore Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eR Rated Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFeature Length Audio Commentary with Veronica Hart and Kelly Nichols\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRevisiting Roommates: Archival Interview with Veronica Hart and Kelly Nichols (2010)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival Q\u0026amp;A at Anthology Film Archives with Cast and Crew (2014)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Best Of Everything: New Video Interview with Screenwriter Rick Marx\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMoving In: New Video Interview with Cinematographer Larry Revene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMusic Videos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScript on Screen Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGorgeous side load slipcase and slipcover with perfect bound book with essays from screenwriter Rick Marx and historian Casey Scott \u003cem data-mce-fragment=\"1\"\u003e(\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eNote:\u003c\/span\u003e only included with the slipcase edition)\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCD Soundtrack with music from Roommates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e11x17 Custom Roommates Poster\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Z-mspquVRpA?si=CgY9gS4Z-jTzE5Jx\" height=\"315\" width=\"560\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Quality X","offers":[{"title":"Limited Edition Slipcase","offer_id":47438357168419,"sku":"QX-005 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":47438357201187,"sku":"QX-005","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/roommatesboxfront.jpg?v=1707497180"},{"product_id":"blonde-ambition","title":"Blonde Ambition","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis special limited edition gold foil magnet clasp slipcase + slipcover set (designed by Rich Long\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e) is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e3\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e,000\u003c\/span\u003e units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCandy and Sugar Kane aren't getting very far with their song and dance act in Coyote Fang, Wyoming, until one night when British noble Stephen Carlisle III's plane breaks down nearby. After happening to catch their show, he's immediately smitten by the sophisticated Candy along with her ditsy sister, and decides to whisk them off to New York City; setting them up with a luxury penthouse apartment so that they can finally have a shot at their dream of Broadway success. However, as Stephen's interest in Candy becomes increasingly romantic, his posh aunt, Lady Buckingham becomes concerned for the welfare of the family fortune. Taking matters into her own hands, she hires Brett, a sleazy private dick, to try and dig up dirt on Candy and Sugar, hoping to demonstrate to Stephen their actual intentions.\u003c\/p\u003e\n\u003cp\u003eOne of the funniest and most opulent X-rated films ever produced, The Amero Brothers’ (Bacchanale) love letter to the golden age of Hollywood musicals is a tour de force of burlesque humor, uproarious sight gags, and madcap set pieces, all culminating in one of the most outrageous finales in hardcore film history! Starring British sex symbol Suzy Mandel (The Playbirds, Love Boat) along with Dory Devon (Love In Strange Places), Eric Edwards (Corporate Assets), Wade Nichols (Take Off, The Edge of Night), and Jamie Gillis (Waterpower), and featuring colorful photography by Roberta Findlay (A Woman's Torment), Mélusine is proud to present the extras packed, 4K UHD debut of the comedy classic which reminds you that: if you liked Deep Throat \u0026amp; Singin’ in the Rain, you'll love BLONDE AMBITION!\u003c\/p\u003e\n\u003cp\u003edirected by: John and Lem Amero (The Amero Brothers)\u003cbr\u003estarring: Suzy Mandel, Dory Devon, Eric Edwards, R.Bolla, Wade Nichols, Molly Malone, Kurt Mann, Erica Eaton, David Morris, Pat Finnegan\u003cbr\u003e1980 \/ 83 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Set: 4K Ultra HD + Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eA brand new audio commentary with cinematographer Roberta Findlay, moderated by film historian Casey Scott             \u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer for Blonde Ambition\u003c\/li\u003e\n\u003cli\u003eTeaser for Blonde Ambition\u003c\/li\u003e\n\u003cli\u003eOriginal Art and Photo Image Gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003e36 page liner note booklet with an essay by film historian Casey Scott\u003c\/li\u003e\n\u003cli\u003eCustom collectible postcard\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D9lkfve8TeQ?si=vUQHpwB_j7I5Ae2G\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mélusine","offers":[{"title":"Limited Edition Slipcase","offer_id":47627913920803,"sku":"MEL-002 CASE","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":47627913953571,"sku":"MEL-002","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/blondeambitionboxfront.jpg?v=1711906413"},{"product_id":"the-bed-and-how-to-make-it-nude-in-charcoal","title":"The Bed And How To Make It \/ Nude In Charcoal","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes a 40-page perfect bound book\u003c\/span\u003e and is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e3\u003c\/strong\u003e\u003cstrong\u003e,000\u003c\/strong\u003e \u003cb\u003eunits\u003c\/b\u003e\u003c\/span\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most acclaimed directors of 1960s sexploitation cinema, Joe Sarno practically reinvented the genre with his heady and atmospheric character dramas and thrillers.  Presented here is one of his most iconic directorial efforts paired with one of his earliest, both restored from their 35mm camera negatives.\u003c\/p\u003e\n\u003cp\u003ePerpetually flirtatious Ellen has been kicked out of boarding school and thrown out of her home. With nowhere else to go, she takes a job as a maid at her alcoholic Aunt Connie’s hotel, only to be lured back into unscrupulous carnal escapes.  With a cast including Sarno favorites Patricia McNair, Judson Todd, and his future wife, Peggy Sarno (Peggy Steffans), THE BED AND HOW TO MAKE IT (1966) epitomizes Sarno’s acclaimed noirish visuals (courtesy of cinematographer Bruce Sparks) while also being the first film ever produced by Distribpix itself!\u003c\/p\u003e\n\u003cp\u003eJune, a beautiful, yet naive, young art student is lured into a relationship of unbridled lust by a suave older artist named Najlas Sarto. NUDE IN CHARCOAL (1961) is set in Greenwich Village during its bohemian heyday of the early 1960s, Sarno worked as co-director to Phil Melillo. Starring early New York TV personality Sally Ardrey and stage actor Richard Kronold in the leads while also featuring the first-know screen appearance by sexploitation actress and model Rita Bennett and an acting turn from future Hollywood producer Burtt Harris, Distribpix Inc. and Something Weird are proud to offer the home video debut of this long lost, career starting sexploitation treasure.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Joe Sarno, Phil Melillo\u003cbr\u003estarring: Francine Ashley, Judson Todd, Lorraine Claire, Peggy Steffans, Barbara Kemp, Victor Bertini, Rita Bennet, Nick Link, Tony King, Gail Sedrish, Richard Kronold, Sally Ardrey, Peter Craig, Burtt Harris, Dina Paisner\u003cbr\u003e1966, 1961 \/ 80 min, 73 min \/ 1.37:1 \/ English Mono\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2K from their 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eBrand new feature length audio commentary for The Bed And How To Make It by film historian and novelist, Tim Lucas\u003c\/li\u003e\n\u003cli\u003eBrand new feature length audio commentary for Nude In Charcoal by film historian and novelist Tim Lucas\u003c\/li\u003e\n\u003cli\u003eArchival video interview with producer Arthur Morowitz (2013) - never before seen\u003c\/li\u003e\n\u003cli\u003eArchival video interview with film historian and Sarno biographer, Michael Bowen (2014) - never before seen\u003c\/li\u003e\n\u003cli\u003eHot Sequences for Nude In Charcoal\u003c\/li\u003e\n\u003cli\u003eScript on Screen featurette for The Bed And How To Make It\u003c\/li\u003e\n\u003cli\u003eOpening Title Card featurette for The Bed And How To Make It\u003c\/li\u003e\n\u003cli\u003ePhoto Image Gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e40 page perfect bound book with writing by film historian\/Sarno biographer Michael Bowen \u003cem data-mce-fragment=\"1\"\u003e(\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eNote:\u003c\/span\u003e only included with the slipcase edition)\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e52 page manuscript booklet with introduction by film historian\/novelist Tim Lucas\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uQ3b33H-6a4?si=bOaQWwATtw-BbqEL\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":47634489540899,"sku":"DPIX-002 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":47634489573667,"sku":"DPIX-002","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/nudeincharcoalboxfront.jpg?v=1711906468"},{"product_id":"blonde-on-a-bum-trip","title":"Blonde on a Bum Trip","description":"\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes a 40-page perfect bound book\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eInnocent small-town college coed Suzzane falls in with the wrong crowd when her roommate enlists her help in making homemade LSD. Initially reluctant to partake, Suzanne eventually gives in and is soon after embroiled in the underground world of hallucinogenic free love as she abandons her prim and proper morals in favor of increasingly kinky, acid fueled sex trips. Unfortunately it’s also not long before the more sinister side of the drug begins to take effect, leading to an orgy of both sex and violence…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eA grimy and spirited New York indie produced by future exploitation legends Jack Bravman (Snuff) and Ed Adlum (Shriek of the Mutilated), and directed by character actor Raf Mauro, BLONDE ON A BUM TRIP effectively integrates the then craze of drug (and particularly LSD) scare films into a nudie setup, resulting in a wonderfully weird grindhouse classic which has gained cult status in no small part due to its incredible original garage-rock soundtrack by The E-Types and The Vagrants. Long unavailable on video, Distribpix and Something Weird proudly present the world Blu-ray debut of this fan favorite, newly restored in 4K from its original camera negative and loaded with new and archival extras including multiple filmmaker commentaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eRaf Mauro\u003c\/span\u003e\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAlexis Wassel, Don Nevins, Barbara Speigelberg, Carole Trent, John Wonderling, Tom McEntee, Martha Rubell, Joyce Diamond, Basil Hoffman, Robert Silver, Thee Neons\u003c\/span\u003e\u003cbr\u003e1968 \/ 64 min \/ 1.37:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eBLONDE ON A BUM TRIP (64 min) newly restored in 4K from the original 35mm camera negative, along with the following special features:\n\u003cul\u003e\n\u003cli\u003eTwo feature length audio commentaries for BLONDE ON A BUM TRIP - the first audio commentary with producer Ed Adlum and director Raf Mauro moderated by Howie Pyro and the second audio commentary with producer Jack Braverman moderated by Steven Morowitz\u003c\/li\u003e\n\u003cli\u003eThe original theatrical trailer\u003c\/li\u003e\n\u003cli\u003eVintage Classroom LSD Scare Films from the Something Weird archive\u003c\/li\u003e\n\u003cli\u003eAn archival image gallery\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/Hbgr6BN_Vsk?si=PGOmMkClk5VMzLNe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":49305150030115,"sku":"DPIX-003 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":49305150062883,"sku":"DPIX-003","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/blonde_on_a_bum_trip_box_front.jpg?v=1727904060"},{"product_id":"through-the-looking-glass","title":"Through The Looking Glass","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis listing is for the standard edition 4K UHD\/Blu-ray. The limited edition gold foil magnet clasp slipcase + slipcover set (designed by Rich Long) was limited to \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e\u003c\/span\u003e and is \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003c\/span\u003e. The two versions are identical, aside from the packaging.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eCatherine's life is one of luxury. But since the death of her beloved father, her stately family home, luxurious car, and refined sensibilities have not brought her happiness. Aloof and disinterested in her husband and daughter, Catherine prefers to spend her evenings engaged in sensual fantasies while sitting amongst the items from her childhood bedroom, now stored in a dark attic. But one stormy night, while seated in front of a large mirror, her father - or a demon in his shape - appears in the reflection, promising her untold pleasures and happiness if she simply comes through the glass. Frightened at first, Catherine eventually gives in and begins to visit the steadily more sinister world inside the mirror. But with each dream-like trip, the dark truths of her past, which she has tried so long to forget, start becoming more and more clear, all as the sinister power of temptation becomes wholly irresistible... \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eAn unsettling supernatural thriller which explores the terror of long buried trauma, director Jonas Middleton (Just Before Dawn) and screenwriter Ron Wertheim's (Memories Within Miss Aggie) genre defying masterpiece, THROUGH THE LOOKING GLASS, ranks as one of the finest examples of hardcore filmmaking ever produced. Assembling a outstanding cast headed by Catherine Burgess (Cinderella 2000, Expose Me Lovely), Jamie Gillis (Dracula Sucks), Teri Hall (The Story of Joanna), Kim Pope (The Intrusion), and Roger Caine (Martin) and featuring an acclaimed original score composed by Arlon Ober (Eating Raoul) and Harry Manfredini (Friday the 13th), this unforgettable journey into the macabre is at last making its 4K UHD and Blu-ray debut from Mélusine, newly scanned and restored from its 35mm original negative and loaded with extras. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003edirected by: Jonas Middleton\u003cbr\u003estarring: Jamie Gillis, Catherine Burgess, Kim Pope, Terri Hall, Roger Caine\u003cbr\u003e1976 \/ 92 min \/ 1.85:1 \/ English DTS-HD MA 1.0\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003e2-Disc Set: 4K Ultra HD + Region Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eBrand new feature length audio commentary with director Jonas Middleton moderated by film historian Ashley West\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOriginal Theatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAlternate Unfiltered Hell Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eLocations Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eArchival Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eDirector Jonas Middleton’s first feature “Cherry Blossom” (1972)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOriginal Theatrical Trailer for “Cherry Blossom”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAn Archival Video Interview with director Jonas Middleton courtesy of The Rialto Report\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio Interview with director Jonas Middleton as featured on The Rialto Report podcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eIllustrated liner note booklet written by Ashley West of the Rialto Report\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eReversible Cover Art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/ND6JosMT4XE?si=Po_4pqWfMIh0CCXk\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mélusine","offers":[{"title":"Limited Edition Slipcase","offer_id":49866405118243,"sku":"MEL-003 CASE","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":49866405151011,"sku":"MEL-003","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/through_the_looking_glass_box_front.jpg?v=1727733600"},{"product_id":"ron-sullivan-the-early-years","title":"Ron Sullivan: The Early Years","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition hard slipcase + slipcover combo (designed by Richard Hilliard) was limited to \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2,000 units\u003c\/strong\u003e\u003c\/span\u003e and is \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003c\/span\u003e. The two versions are identical, aside from the packaging and the 40-page book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBefore becoming known as one of the masters of big budget theatrical hardcore under the name Henri Pachard, Ron Sullivan cut his teeth making dark, brooding, and often outrageous sexploitation thrillers which reveled in the macabre as much as they did eroticism. Presented here are a trio of Sullivan's finest early efforts, all newly scanned and restored from 35mm negative materials and on Blu-ray for the first time, from Distribpix. In LUST WEEKEND (1967), Sullivan's directing debut, a naive couple are lured by a group of sadistic perverts to a large country manor where they are subjected to increasingly depraved and violent acts of torture. An unflinchingly grotesque and sublimely weird roughie, Sullivan expertly merges sex and horror through an underground filmmaking aesthetic, which decades later still packs plenty of squirm-inducing jolts. In THE BIZARRE ONES (1968), Sullivan continues his fascination with sexual perversions, focusing on man-hating Deirdre who picks up a young male hitchhiker and lures him to her country dungeon wherein he is subjected to the torments of Dierdre and her equally vicious friends. Featuring appearances from Warhol superstars Taylor Mead and Louis Waldon, this trippy and unusual roughie more than lives up to its title. In SCORPIO 70 (1970), Sullivan tries his hand at a more transitional narrive in this flashback structured story of smuggling, sexual indiscretions, and ultimately murder, all aboard a boat. Featuring an early starring role for Jennifer Welles (Career Bed) in addition to a catchy original soundtrack by James Taylor, this softcore thriller produced by Sam Lake (The Nesting) is at last making its home video debut.\u003c\/p\u003e\n\u003cp\u003edirected by: Ron Sullivan\u003cbr\u003estarring: Claire Adams, John Keeler, Mary Lamay, Eva Piatkowitz, Claire Eclaire, Cherrie Winters, Steve Treadwell, Gary West, Sagg Taras, Jennifer Welles, Stacey Michaels, Michael Hanes, Hollis Solomon, Blaine Quincy, Iris Brooks, Jessica Stuart and Tomba\u003cbr\u003e1967, 1968, 1970 \/ 220 min (combined) \/ 1.37:1, 1.37:1, 1.33:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eLust Weekend (68 min) and The Bizarre Ones (72 min) were restored from their original 35mm camera negatives and Scorpio 70 (80 min) was restored from its 35mm blow-up interpositive, and are all presented in their original theatrical aspect ratios\u003c\/li\u003e\n\u003cli\u003eBrand new video interview with Ron Sullivan collaborator Don Walters\u003c\/li\u003e\n\u003cli\u003eAn archival video interview with Ron Sullivan\u003c\/li\u003e\n\u003cli\u003eAn audio interview between Ron Sullivan and adult film historian Ashley West as featured on The Rialto Report\u003c\/li\u003e\n\u003cli\u003eThe original theatrical trailer for Lust Weekend\u003c\/li\u003e\n\u003cli\u003eAn archival image gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003e40-page perfect bound book with essay by Ashley West \u003cem\u003e(exclusive to the limited slipcase edition)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zhEMhdyvZPI?si=unneDJ9R1_N3rQ1l\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":50265541902627,"sku":"DPIX-004 CASE","price":42.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":50265541935395,"sku":"DPIX-004","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Ron_Sullivan_Case_Front.jpg?v=1731425615"},{"product_id":"the-image","title":"The Image","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis special limited edition gold foil magnet clasp slipcase + slipcover set (designed by Rich Long\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e) is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e4\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e,000\u003c\/span\u003e units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWhile attending a dull, bourgeois party in the heart of Paris, Jean is transfixed by the shy, yet strikingly beautiful Anne. Although barely able to interact, Jean remains preoccupied by her mysterious and on-edge demeanor. After a chance encounter with Anne's housemate-cum-lover, the stern and older Claire, Jean is delighted by an invitation to join them for an afternoon at the park. However, as the day progresses, he is shocked to discover that Anne is engaged in a strange, sadomasochistic relationship with Claire, in which she must adhere to Claire's every whim, no matter how grotesque. Sensing his enthusiasm, Claire decides to invite Jean to their home and slowly begins ingratiating him into her and Anne's unusual lifestyle. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOne of director Radley Metzger's (Camille 2000) most memorable and unsettling films, THE IMAGE, adapted from the controversial novel of the same name written by Catherine Robbe-Grillet, is an equally artful and sadistic study of bondage, submission, and psychological manipulation. Starring Rebecca Brooke (aka Mary Mendum; The 1001 Perversions of Felicia), Carl Parker (Score), Marilyn Roberts (Futz), and Valerie Marron (Wet Rainbow), and featuring some of the most striking visuals of Metzger's career, courtesy of cinematographer Robert Lefebvre (One Step to Eternity), this stylish French-American co-production remained barely seen for decades, while still developing a growing cult following. Newly restored in 4K from its original 35mm camera negative, this perversely beautiful and hypnotic erotic masterpiece at last comes to 4K UHD from Mélusine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003edirected by: Radley Metzger\u003cbr\u003estarring: Rebecca Brooke, Marilyn Roberts, Valerie Marron, Carl Parker\u003cbr\u003e1973 \/ 92 min \/ 1.85:1 \/ English DTS-HD MA 1.0\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Set: 4K Ultra HD + Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eUHD presented in Dolby Vision HDR\u003c\/li\u003e\n\u003cli\u003e52-page liner note booklet written by film historian Ashley West of The Rialto Report\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iwhOjwr6OZA?si=96G1ouUvOOkRrALT\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mélusine","offers":[{"title":"Limited Edition Slipcase","offer_id":51371965612323,"sku":"MEL-004 CASE","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":51371965645091,"sku":"MEL-004","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/The_Image_Case_Front_d57e8aaf-9ca3-415f-ba21-6b76958761f0.jpg?v=1735936483"},{"product_id":"career-bed-sex-by-advertisement","title":"Career Bed + Sex By Advertisement","description":"\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,500 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA quintessential exploitation filmmaker, the late Joel M. Reed's filmography traversed just about every corner of genre filmmaking, from ultra-gory horror with BLOODSUCKING FREAKS to oddball action with THE G.I. EXECUTIONER. But at the start of his career, like so many working in B-movies, Reed helmed a set of sexploitation films. However, not content to simply offer T\u0026amp;A with a flimsy storyline, Reed instead created what rank as two of the most jaw dropping and demented such efforts ever produced, both of which at last come to Blu-ray, newly scanned and restored in 4K from their 35mm camera negatives from Distribpix + Something Weird.\u003c\/p\u003e\n\u003cp\u003eIn Reed's electric debut, CAREER BED, Jennifer Welles (Scorpio 70) stars as Susan, an impressionable young woman on the hard road to cinema stardom. Under the brutal and cruel pressure of her manipulative and jealous mother, Susan's life quickly becomes overtaken with casting couches, lecherous producers, lesbian agents, and general money making scams.\u003c\/p\u003e\n\u003cp\u003eChock full of jaw droppingly acidic dialogue, delivered through the powerhouse performances of Welles and one-time-player Honey Hunter as Susan's scheming mother, CAREER BED plays like an unhinged mix of underground theatre and classical Hollywood melodrama.   \u003c\/p\u003e\n\u003cp\u003eReed's no-less-strange sophomore feature, SEX BY ADVERTISEMENT, explores the weird world of erotic newspaper ads in a mondo-film styled pastiche. Hosted by Dr. Joanne Ridgefield (soon-to-be-superstar Georgina Spelvin in one of her earliest roles), all manners of perversity are uncovered, from hippie love-ins, violent sadists, transvestites, dirty photographers, and much more. Co-starring Warhol superstar Geri Miller (Trash, High Rise), this wild and wacky ride effortlessly manages to shock from beginning to end.\u003c\/p\u003e\n\u003cp\u003edirected by: Joel Reed\u003cbr\u003estarring: Jennifer Welles, Georgina Spelvin\u003cbr\u003e1968 \/ 161 min (combined) \/ 1.37:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e2 Feature Length Audio Commentaries by John Szpunar (Reed Biographer and editor-in-chief of Deep Red Magazine)\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/lbjCQzT1L_0?si=iij0HaLFVqpwGPVr\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":52980155777315,"sku":"DPIX-005 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":52980155810083,"sku":"DPIX-005","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Career_Bed_LTD_Front.jpg?v=1740768976"},{"product_id":"last-tango-in-paris","title":"Last Tango in Paris","description":"\u003cp\u003eThis special limited edition 4k Ultra HD\/Blu-ray Combo comes with a spot gloss hard slipcase + slipcover combo \u003cspan style=\"text-decoration: underline;\"\u003eexclusive to the Mélusine website\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e(designed by Steak Mtn), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSpecial note\u003c\/strong\u003e: a variant edition, featuring alternate artwork, is available on our \u003ca href=\"https:\/\/vinegarsyndrome.com\/products\/last-tango-in-paris\"\u003eVinegar Syndrome\u003c\/a\u003e website.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWithout shared names, backstories, or even a prior relationship, two strangers become entangled in a chaotic, lustful affair centered around a studio apartment in the city of love. On their own in the streets of Paris, Paul and Jeanne work their way through everything from carefree adventures to the tristesse of mourning a lost love while the apartment becomes their sultry sanctuary from the outside world. As their fling evolves into something that resembles love, the ugliness of the outside world that they both sought to escape forces its way into their relationship, changing both of them forever. With lush cinematography by three-time Academy Award winner Vittorio Storaro (Apocalypse Now) and a carefully structured narrative co-written and directed by Bernardo Bertolucci (1900), Last Tango In Paris pushes the boundaries of cinema in the city of its birth. Marlon Brando (The Godfather) plays Paul, the middle-aged man who uses the apartment to escape from a traumatic death, while Maria Schneider (The Passenger) stars opposite as Jeanne, an exuberant Parisian woman who uses the fling to gain a feeling of independence from prior emotional commitments. Distribpix proudly presents the UHD debut of this seminal film in the canon of erotic films, freshly restored from its 35mm original camera negative under the supervision of Storaro and featuring a selection of new and archival interviews.\u003c\/p\u003e\n\u003cp\u003edirected by: Bernardo Bertolucci\u003cbr\u003estarring: Marlon Brando,Maria Schneider, Maria Michi, Giovanna Galletti, Jean-Pierre Leaud, Massimo Girotti\u003cbr\u003e1972 \/ 130 min \/ \u003cmeta charset=\"utf-8\"\u003e1.85:1 \/ \u003cmeta charset=\"utf-8\"\u003eEnglish, French \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Set: 4K Ultra HD (\u003cem\u003eHigh Bitrate UHD100\u003c\/em\u003e) \/ Region A Blu-ray\u003c\/li\u003e\n\u003cli\u003e4K UHD presented in Dolby Vision High-Dynamic-Range\u003c\/li\u003e\n\u003cli\u003e\"From Parma to Paris (via Rome)\" (30 min) - an interview with long-term Bertolucci collaborator Francesco Barilli\u003c\/li\u003e\n\u003cli\u003e\"Our Last Tango\" (12 min) - an interview with editor Roberto Perpignani\u003c\/li\u003e\n\u003cli\u003e\"Before the Tango\" (28 min) - Roberto Perpignani on his early collaborations with Bernardo Bertolucci\u003c\/li\u003e\n\u003cli\u003e\"A Conversation with Bernardo Bertolucci\" (30 min) - an archival interview with Bernardo Bertolucci\u003c\/li\u003e\n\u003cli\u003e\"Location Scouting for the Tango\" (7 min) - featurette looking at the locations of Last Tango in Paris as they are now\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e40-page perfect bound book with essays by Allison Anders, Heather Drain and Jim Hemphill\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_0Vj-B6JVmQ?si=qFwjosMH5RaTZedO\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":53492008747299,"sku":"DPIX-006A CASE","price":44.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":53492008780067,"sku":"DPIX-006","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/last_tango_in_paris_A_CASE_MEL_pic_-_NEW.jpg?v=1743699764"},{"product_id":"naked-came-the-stranger","title":"Naked Came The Stranger","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThis special limited edition gold foil magnet clasp slipcase + slipcover set (designed by Robert Sammelin\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e) is limited to \u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e4\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e,000\u003c\/span\u003e units\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBilly and Gilly host New York’s most provocative and successful morning talk show. But their lascivious on-the-air personas are masking a far less than voracious home-sex life. Everything comes to a head when Gilly discovers that her seemingly faithful husband is carrying on with his “Love Bunny” Phyllis. At first hurt be his infidelity, Gilly quickly decides that she too ought too expand her sexual horizons and, with that in mind, begins an over-the-top game of seduction as she beds each of her and Billy’s high society friends.  \u003c\/p\u003e\n\u003cp\u003eErotic auteur Radley Metzger (Therese \u0026amp; Isabelle’s) second feature directed under the pseudonym “Henry Paris,” NAKED CAME THE STRANGER was itself adapted from the best selling novel of the same name, which was secretly penned by the staff of Newsday. With a cast of 70s hardcore greats, led by Darby Lloyd Rains (The Virgin \u0026amp; the Lover), Mary Stuart (The Passions of Carol), Levi Richards (The Intrusion), Alan Marlow (That Lady From Rio), Helen Madigan (Confessions of a Teenage Peanut Butter Freak), and Gerald Grant (Both Ways), this elegant and sophisticated comedy embodies the mid 70s “couples film” and at last comes to 4K UHD from Mélusine, newly restored from its 35mm negative, and presented in both its commonly seen hardcore version as well as its extremely rare alternate softcore cut, which includes numerous additional and extended dialogue sequences.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003edirected by: Radley Metzger\u003cbr\u003estarring: Darby Lloyd Rains, Levi Richards, Mary Stuart, Kevin Andre, Marc Stevens, Gerald Grant, Alan Marlow, Helen Madigan\u003cbr\u003e1975 \/ 84 min \/ 1.66:1 \/ English DTS-HD MA 1.0\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Set: 4K Ultra HD + Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eFeature length audio commentary with director Radley Metzger moderated by Ashley West of The Rialto Report\u003c\/li\u003e\n\u003cli\u003eAlternate softcore version of Naked Came The Stranger\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eOriginal radio spots\u003c\/li\u003e\n\u003cli\u003eLocations featurette\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eA liner note booklet with essay by film historian Ashley West of The Rialto Report\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/6yFL0EGDAN4?si=NHBronhlAXvDsNz1\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mélusine","offers":[{"title":"Limited Edition Slipcase","offer_id":53577428992291,"sku":"MEL-005 CASE","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":53577429025059,"sku":"MEL-005","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Naked_Came_The_Stranger_LTD_Front.jpg?v=1747678622"},{"product_id":"satans-bed-scare-their-pants-off","title":"Satan's Bed + Scare Their Pants Off","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCrime, kidnapping, white slavery, ritualistic cults, and other sordid activities were all fodder for the most outlandish roughies of the 1960s. Produced primarily in New York by a mix of budding filmmakers and “legit” craftspeople moonlighting in the seedier areas of cinema, these trashy tales became the bedrock of what later exploitation features would take in even more extreme directions. Distribpix Inc. + Something Weird offer the Blu-ray debut of a notorious pairing of two of the most twisted such efforts, both newly restored in 4K from their 35mm original camera negatives!\u003c\/p\u003e\n\u003cp\u003eIn SATAN’S BED, a pre-fame Yoko Ono stars as Ito, a young Japanese woman who arrives in New York to reunite with her husband, only to discover he’s gotten mixed up in a life of drugs and crime. Meanwhile, a gang of strung out dope fiends unable to satisfy their kicks, kidnap and torment beautiful women. A truly twisted mutant film which combines an unfinished hard boiled crime drama with a nasty sexploitation thriller, this Michael \u0026amp; Roberta Findlay effort offers one sick surprise after another.\u003c\/p\u003e\n\u003cp\u003eIn SCARE THEIR PANTS OFF, innocent young women are being drugged and kidnapped off the streets of Manhattan, only to awaken in a mysterious dark room where they are tormented by hideously deformed creatures…or are they? Combining a sex-cult oriented nudity with a crime thriller, and touches of oddball humor, this truly unique sleaze pic was the sole directing effort from John Maddox and was produced by the legendary Ron Sullivan (aka Henri Pachard).\u003c\/p\u003e\n\u003cp\u003edirected by: Michael and Roberta Findlay, Ron Sullivan\u003cbr\u003estarring: Yoko Ono, Val Avery, Glen Nielson, Roberta Findlay, Mary St. Feint, Sean Laney, Jon Woods, Alou Mitsou, Claire Adams\u003cbr\u003e1965 and 1968 \/ 73 min, 63 min \/ 1.37:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eSATAN’S BED (73 min) and SCARE THEIR PANTS OFF (63 min) are newly restored in 4K from their 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eOriginal trailers for Satan’s Bed and Scare Their Pants Off\u003c\/li\u003e\n\u003cli\u003eOpening title card featurette\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003e“Something Weird” shorts\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for each film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/_2dHGuDuGc4?si=ttVvtGRZPxZ2SWF0\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":53973531427107,"sku":"DPIX-007 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":53973531459875,"sku":"DPIX-007","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Satan_s_Bed_LTD_Front.jpg?v=1751309843"},{"product_id":"psycho-cat-fat-black-pussycat","title":"Confessions of a Psycho Cat + The Fat Black Pussycat","description":"\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,500 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAs distribution models shifted and a mere tease of bare flesh wasn't nearly enough to satisfy the grindhouse, filmmakers and distributors realized that their now seemingly chaste older product wasn't going to fill seats. One method of solving this problem was to take an under-performing feature and rework it with new scenes and a trashier campaign. Two of the most fascinating examples of this are CONFESSIONS OF A PSYCHO CAT and THE FAT BLACK PUSSYCAT, both of which are at last hitting Blu-ray from Distribpix + Something Weird, newly restored from their original negatives.\u003c\/p\u003e\n\u003cp\u003eA mysterious woman gathers a trio of misfits and offers them the chance to compete in a strange survival competition for a prize of $100,000. But there's a deadly catch as she's set up a series of fatal traps, each reflecting the vices of her participants. Will anyone survive the fiendish clutches of this psycho cat? A gritty, NYC-set adaptation of \"The Most Dangerous Game,\" CONFESSIONS OF A PSYCHO CAT began life as a straight murder thriller before being transformed into a terrific sleazy mix of bloody killings and drug-fueled sex, even featuring legendary boxer Jake LaMotta (Raging Bull) in one of his few acting appearances.  A black-gloved killer is on the loose, stalking and slashing young hepcat couples in NYC’s Greenwich Village. With a black cat strangely found prowling near each of the corpses, a detective goes undercover in the youth scene to try and sniff out this fiendish assailant, while romancing a college professor whose own strange interests have placed her too in the killer's sights.\u003c\/p\u003e\n\u003cp\u003eOriginally a more traditional whodunit set in the then-trendsetting early 60s Village beat scene, THE FAT BLACK PUSSYCAT proved a box office flop and was re-tooled into a delectably crass proto-slasher\/giallo, complete with nudity and several splashy new slice-n-dice killings! At long last you can now finally enjoy both versions in stunning new restorations.\u003c\/p\u003e\n\u003cp\u003edirected by: Herbert S. Altman \u0026amp; Robert Worms, Harold Lea \u003cbr\u003estarring: Arleen Lorrance, Ed Garrabrandt, Frank Geraci, Richard Lorrance, Jake LaMotta, Frank Janus, Janet Damon, Patrica McNair, Lynn Gregory, Dia Mitchell, Barbara Wilkinson\u003cbr\u003e1967, 1963 \/ 69 min, 89 min \/ 1.37:1; 1.66:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eCONFESSIONS OF A PSYCHO CAT (69 min) and THE FAT BLACK PUSSYCAT (89 min) are newly restored in 4k from their 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eBrand new feature length audio commentary for Confessions Of A Psycho Cat with actress Arleen Lorrance moderated by film historian Bruce Holecheck\u003c\/li\u003e\n\u003cli\u003e\"Bronx Bulls and Psycho Cats\": an interview with William Lustig\u003c\/li\u003e\n\u003cli\u003eNever before seen Confessions Of A Psycho Cat dailies \u0026amp; outtakes\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers for Confessions Of A Psycho Cat\u003c\/li\u003e\n\u003cli\u003eThe Fat Black Pussycat - original version (82 min)\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer for The Fat Black Pussycat\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for each film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/fLJyz1cc5QY?si=B4-K2mZJ9UwcigLv\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":54196526088483,"sku":"DPIX-008 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54196526121251,"sku":"DPIX-008","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Confessions_Psycho_Cat_P1_DPIX-008_F2CNF.jpg?v=1777650208"},{"product_id":"sato-1-re-wind-lustmord-love-letter-in-the-sand","title":"The Films of Hisayasu Satô: Volume #1 - Re-Wind \/ Lustmord \/ Love Letter In the Sand","description":"\u003cp\u003eThis listing is for the standard edition Blu-ray. The limited edition \u003cmeta charset=\"utf-8\"\u003ehard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Luke Insect) was limited to \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e\u003c\/span\u003e and is \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003c\/span\u003e. The two versions are identical, aside from the packaging and 40-page book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most esteemed and transgressive filmmakers ever to work in Japan's explosively popular Pink Film genre, Hisayasu Satô crafted erotic films that were both genre-defying and artfully-minded. While Satô's work is infused with horror and thriller tropes, it boasts a punk and avant-garde aesthetic singularly his own. In this debut release, Pink Line begins to explore this immense body of work with three of Satô's most outlandish and profound features, each newly and exclusively restored in 2K from their 35mm original camera negatives with newly-translated English subtitles, all under the supervision of Satô himself.\u003c\/p\u003e\n\u003cp\u003eIn LUSTMORD (aka Pleasure Kill), Satô commences his meditation on the fusion of sex and death. Eiji, a reclusive and awkward teenage boy, is fixated on creating a serum capable of breaking down the barrier between pleasure and pain, much to the dismay of his research physician mother. Deciding to conduct his own experiments, Eiji slips the serum to several women, but is unprepared for the horrifying results. Later remade by Satô as the straight horror feature Naked Blood, this early directing effort conjures a remarkable waking nightmare approach, as the impending threat of violence and insanity permeates every scene as it builds towards a typically cynical and cryptic conclusion.\u003c\/p\u003e\n\u003cp\u003eRE-WIND (aka Celluloid Nightmare) functions as Satô's tribute to Michael Powell's masterpiece Peeping Tom. After a grisly, point-of-view snuff videotape is found in a refrigerator, a young man becomes obsessed with discovering who made it and whether or not the brutal murder was real. As he delves into Tokyo's underground video scene, his own perversions come to the fore as he grows ever closer to uncovering the shocking truth, alongside a female reporter who calls herself Crime Hunter. Fusing gruesome gore and raw sex while wryly playing with the artifice inherent to the video format, RE-WIND remains one of Satô's most powerful and impressive early works.\u003c\/p\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND (aka Pervert Ward: Torturing the White Uniform), is Satô crafting a noir-inspired erotic thriller, using blazing, heavily-gelled color. During a month of unusually heavy rain in Tokyo, a mystery assailant has been brutally assaulting and killing people with a metal bat. When a handsome young man with amnesia is found outside an area hospital, the nurse who discovered him begins to suspect that he may in fact be the assailant. But her own strange erotic fixations with him, and the questionable involvement of the doctor tasked with the amnesia victim, lead them all down an increasingly twisted path of deeply-rooted trauma and violence.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Masae Abe, Sayaka Hitomi, Kiyomi Itô, Maya Shiraki, Yoko Fujita, \u003cbr\u003eShigeru Sasaki, Nanako Fujitani, Yui Hoshikawa\u003cbr\u003e1987, 1988, 1988 \/ 58 min, 64 min, 61 min \/ 1.85:1 \/ Japanese \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e40-page perfect bound book (\u003cem\u003elimited edition only\u003c\/em\u003e) includes essays by Ariel Esteban Cayer, Tori Potenza, and Jasper Sharp\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLUSTMORD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Japanese cinema expert Jasper Sharp for Lustmord\u003c\/li\u003e\n\u003cli\u003e\"Kill Kill\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Written in Blood\" - an interview with writer Taketoshi Watari\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles\" - a locations featurette with director Hisayasu Satô covering all three films\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRE-WIND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film critic Simon Abrams\u003c\/li\u003e\n\u003cli\u003e\"Visual Pleasure\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Caught in the Act\" - an interview with actress Kiyomi Itô\u003c\/li\u003e\n\u003cli\u003e\"Shooting His Shot\" - an interview with writer Yumeno Shiro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLOVE LETTER IN THE SAND\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with film historian \u0026amp; author Samm Deighan\u003c\/li\u003e\n\u003cli\u003e\"Medical Mayhem\" - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Pretty in Pink\" - an interview with filmmaker Risaku Kiridoshi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wr0uKBjW5zg?si=JyWEjIzWvwDRJHW4\" style=\"aspect-ratio: 16 \/ 9; width: 100%;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":54286932574499,"sku":"PL-001 CASE","price":42.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":54286932607267,"sku":"PL-001","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Sato_Vol1_P1_PL-001_Y837W.jpg?v=1777650119"},{"product_id":"the-films-of-hisayasu-sato-volume-2-an-aria-on-gazes-love-zero-infinity","title":"The Films of Hisayasu Satô: Volume #2 - An Aria on Gazes \/ Love - Zero = Infinity","description":"\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003ePlease Note:\u003c\/strong\u003e\u003c\/span\u003e If you ordered Satô Vol.1 between September 1st - 3rd, please use coupon code \u003cem\u003eSATO2 \u003c\/em\u003eto save $6 on this release. Subscribers, please use coupon code \u003cem\u003eSATO2-SUB\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Luke Insect), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e4,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAs pink film auteur Hisayasu Satô evolved as a filmmaker, he both expanded and refined his fascination with connecting elements of melancholy, violence, voyeurism, and repressed sexuality. In this second installment of THE FILMS OF HISAYASU SATÔ, Pink Line presents two of his most celebrated and also most controversial features from his prolific early 90s output, presented in new director-approved restorations from their 35mm original camera negatives.\u003c\/p\u003e\n\u003cp\u003eIn AN ARIA ON GAZES (aka The Bedroom), an exclusive Tokyo club offers a safe haven for its clients to anonymously indulge in perverse and deeply personal erotic fantasies as the lines between reality and imagination become increasingly opaque - and dangerous. One of Satô’s most lyrical and structurally experimental films, which effortlessly blends moments of tenderness and brutality, centers on a stirring performance by Kiyomi Itô (Muscle) and an appearance by real-life cannibal Issei Sagawa.\u003c\/p\u003e\n\u003cp\u003eIn LOVE - ZERO = INFINITY, Satô’s focus on bonding and connection through voyeurism hits a fever pitch in this simultaneously unsettling and romantic saga of two disturbed outsiders finding unexpectedly kindred spirits in each other. Takashi, a lonely voyeur whose feverish desire for companionship borders on stalking, is hired by a doctor to follow his mysterious young wife. But as they each grow increasingly aware of the other’s presence, violent desires also begin to erupt within them in this fatalistic piece, blurring intimacy and blood ritual.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Kiyomi Itô, Momori Asano, Kyôko Nakamura, Issei Sagawa, Takeshi Itô, Ryûmei Homura\u003cbr\u003e1992, 1994 \/ 127 min (combined) \/ 1.85:1 \/ Japanese 1.0 Mono\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e40-page perfect-bound book (limited edition only) includes essays by Jasper Sharp, Hayley Scanlon, and Filipe Furtado\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles for both films\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAN ARIA ON GAZES:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Asian cinema historian Pierce Conran \u0026amp; critic James Marsh\u003c\/li\u003e\n\u003cli\u003e\"I’m Being Watched\" (14 min) - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Lost in the Bedroom\" (12 min) - an interview with actress Kyôko Nakamura\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLOVE - ZERO = INFINITY:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track with Japanese cinema expert Jasper Sharp\u003c\/li\u003e\n\u003cli\u003e\"Unidentified Followed Objects (UFOs)\" (10 min) - an interview with director Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles: Part 2\" (24 min) - a locations featurette with director Hisayasu Satô\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/0k_eQomNQa0?si=qX9TrqYl7FhkfjF3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":54449665081635,"sku":"PL-002 CASE","price":37.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54449665114403,"sku":"PL-002","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Sato_Vol2_P1_PL-002_US791.jpg?v=1777649578"},{"product_id":"behind-the-green-door","title":"Behind the Green Door","description":"\u003cp\u003eThis listing is for the standard edition \u003cmeta charset=\"utf-8\"\u003e4k Ultra HD\/Blu-ray\/CD Combo. The limited edition hard slipcase + slipcover combo (designed by \u003cmeta charset=\"utf-8\"\u003eRobert Sammelin) was limited to \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e\u003c\/span\u003e and is \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003esold out\u003c\/strong\u003e\u003c\/span\u003e. The two versions are identical, aside from the packaging and 40-page book.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSan Francisco based Jim \u0026amp; Artie Mitchell were at the forefront of bringing the sexual revolution to American cinema. Working within their filmmaking collective known as Cinema 7, the brothers and their group of regular artistic collaborators created dozens of intelligent, thought provoking, and radically minded erotic feature and short films. Mitchell Brothers Film Group will bring their extraordinary body of work to Blu-ray and 4K UHD in deluxe, restored editions, many of which will be coming to disc for the first time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eGloria Saunders arrives at a quiet, bayside hotel for a relaxed evening. But the tranquility of her stay is quickly interrupted when a trio of men violently kidnap her, bringing her to a strange club. Confused and frightened, Gloria is soothingly informed that she is to be the centerpiece of an elaborate sexual performance which will fulfill her deepest longings and hidden desires, only to have no memory of the experience after it concludes. With no choice but to participate, she is prepared and brought on stage where anonymous lovers of all types begin to emerge through the mysterious green door. A low budget, but highly ambitious effort which would become one of the biggest X-rated hits of the 1970s, The Mitchell Brothers' landmark BEHIND THE GREEN DOOR made an international sensation and bonafide star out of its leading lady, Marilyn Chambers (\u003cem\u003eRabid\u003c\/em\u003e), while also becoming one of the first hardcore features to win mainstream acclaim for both its technical innovation and artistic merits. With a supporting cast including Johnnie Keyes (\u003cem\u003eSexWorld\u003c\/em\u003e), George McDonald (\u003cem\u003ePowder Burns\u003c\/em\u003e), NFL star Ben Davidson (\u003cem\u003eThe Black Six\u003c\/em\u003e), and many more figures from San Francisco’s underground and counterculture art scenes, which helped further develop its cult reputation, BEHIND THE GREEN DOOR at last comes to 4K UHD and Blu-ray, from the Mitchell Brothers Film Group. This genre classic is newly restored from its 16mm camera original alongside a bountiful selection of special features, including a bonus CD containing its outstanding original soundtrack.\u003c\/p\u003e\n\u003cp\u003edirected by: Jim and Artie Mitchell \u003cbr\u003estarring: Marilyn Chambers, Johnny Keyes, George McDonald, Ben Davidson\u003cbr\u003e1972 \/ 71 min \/ 1.33:1 \/ English, French (Dubbed) DTS-HD MA 1.0\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3-Disc set: 4K UHD\/Region Free Blu-ray\/CD\u003c\/li\u003e\n\u003cli\u003e4K UHD Disc contains the 71 minute feature presentation of BEHIND THE GREEN DOOR presented in HDR and newly restored from the 16mm reversal A\/B rolls with the following sound options:\n\u003cul\u003e\n\u003cli\u003eOriginal English language mono soundtrack\u003c\/li\u003e\n\u003cli\u003eFrench dubbed soundtrack\u003c\/li\u003e\n\u003cli\u003eFeature length audio commentary with Marilyn Chambers biographer Jared Stearns\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio interview with actor George McDonald moderated by Ashley West of The Rialto Report\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlso included is a Blu-ray Disc containing everything on the UHD disc plus the following special features:\n\u003cul\u003e\n\u003cli\u003eBehind The Mitchell Brothers Film Group: Preserving The Legacy\u003c\/li\u003e\n\u003cli\u003eMarilyn Chambers: From Soap to Superstar\u003c\/li\u003e\n\u003cli\u003eWinding Through: Behind The Green Door\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e8mm digest version of Behind The Green Door\u003c\/li\u003e\n\u003cli\u003eInitial release trailer\u003c\/li\u003e\n\u003cli\u003eWide release trailer\u003c\/li\u003e\n\u003cli\u003eJapanese promo trailer\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e24 page booklet with the original short story for Behind The Green Door\u003c\/li\u003e\n\u003cli\u003e11x17 replica Japanese one-sheet\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli\u003eFrench translation subtitles\u003c\/li\u003e\n\u003cli\u003eGerman translation subtitles\u003c\/li\u003e\n\u003cli\u003eAlso included is a bonus CD with the original soundtrack of Behind The Green Door\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/q4h6wwAyIcw?si=pa6gZp0FFtBFQPCv\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mitchell Brothers Film Group","offers":[{"title":"Limited Edition Slipcase","offer_id":54449753555235,"sku":"MBFG-001 CASE","price":44.99,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":54449753588003,"sku":"MBFG-001","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/BTGD_4k_1.png?v=1777656257"},{"product_id":"the-adult-version-of-jekyll-hide-the-erotic-adventures-of-zorro","title":"The Adult Version Of Jekyll \u0026 Hide + The Erotic Adventures of Zorro","description":"\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e3,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomething Weird LLC in cooperation with Distribpix, present the David F. Friedman Film Collection on Blu-ray! Since 1990, Something Weird Video has been a pioneer in home video and rescuing forgotten \"bottom-of-the-barrel\" low-budget movies from the landfill. SWV founder, Mike Vraney, spent decades finding obscure \"lost\" sexploitation films and making them available once again. In the early Nineties, Mike met the man who would forever change his life and help SWV grow and evolve into the highly respected company it is today -- legendary film producer, David F. Friedman. Partnering with Friedman and licensing his archive opened doors Mike never could have imagined in those early days, giving SWV the credibility to gain access to the libraries of many of Dave's friends and colleagues over the years. Upon Friedman's death in 2011, SWV has been the custodian of their dear mentor's films and personal archive. Something Weird is proud to be working with Distribpix, Vinegar Syndrome and Mélusine to honor and keep this amazing man's legacy alive with these beautiful newly restored Blu-rays.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe Mighty Monarch of Exploitation, David F. Friedman was no stranger to creating jaw-dropping sleaze epics, and in this first entry in a series celebrating his incredible filmmaking career, Something Weird and Distribpix present his final, and perhaps most notorious duo of sexploitation classics, both newly restored in 4K from their original 35mm camera negatives and on Blu-ray for the first time!\u003c\/p\u003e\n\u003cp\u003eIn THE ADULT VERSION OF JEKYLL \u0026amp; HIDE, Dr. Charles Leeder discovers the diary of famed Dr. Henry Jekyll tucked away at an antiques shop. Realizing that it will be instrumental in furthering his own experiments, he breaks into the store to steal it, killing the shopkeeper in the process.  Now, with Jekyll’s body transformation formula all to himself, Dr. Leeder becomes the sultry “Miss Hide,” who uses her newfound sensuality to seduce - and murder - men and women alike. When a detective starts investigating the strange sex killings, \"Miss Hide\" is forced to resort to even more brutality to cover her tracks. Directed by Lee Raymond and produced by Friedman’s regular collaborator, Byron Mabe (\u003cem\u003eShe Freak\u003c\/em\u003e), it stars Rene Bond (Fugitive Girls), Jennifer Brooks (\u003cem\u003eWorking Girls\u003c\/em\u003e), and Jane Tsentas (\u003cem\u003eEvil Come Evil Go\u003c\/em\u003e) as Miss Hyde, this soft-X horror epic offers a nasty twist on Robert Louis Stevenson’s literary classic.\u003c\/p\u003e\n\u003cp\u003eA peaceful Mexican village is besieged by the power-hungry General Esteban and his assistant Sgt. Felipio Latio in THE EROTIC ADVENTURES OF ZORRO, as they take advantage of the local women while forcing the residents to pay high taxes. Don Manuel determines that the only way to bring peace back to the region is for his tough and studly son, Don Diego, who’s studying abroad in Spain, to return and help the people fight back against their villainous oppressors. However, in order to first outsmart his enemy, Don Diego affects an outrageous camp persona at nighttime, donning the cape and mask of the fearless Zorro. As Esteban and Latio attempt to discover the identity of Zorro, Don Diego begins a romantic courtship that threatens to reveal his true self. Produced just at the tail end of the softcore drive-in market and directed by Col. Robert Freeman (\u003cem\u003eBare Knuckles\u003c\/em\u003e), this lavish period piece comedy pushes the soft-X as far as it can go, and features a dazzling cast including Jacqueline Giroux (\u003cem\u003eTo Live \u0026amp; Die in LA\u003c\/em\u003e), Starlyn Simone (\u003cem\u003eA Climax of Blue Power\u003c\/em\u003e), John Alderman (\u003cem\u003eLittle Miss Innocence\u003c\/em\u003e), and exploitation legend Bob Cresse (\u003cem\u003eThe Scavengers\u003c\/em\u003e) as Felipio Latio.\u003c\/p\u003e\n\u003cp\u003edirected by: Lee Raymond, Robert Freeman \u003cbr\u003estarring: Rene Bond Jennifer Brooks, Jane Tsentas, Jacqueline Giroux, Starlyn Simone, John Alderman, Bob Cresse\u003cbr\u003e1972 \/ 91 min, 103 min \/ 1.37:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eTHE ADULT VERSION OF JEKYLL \u0026amp; HIDE (91 min) and THE EROTIC ADVENTURES OF ZORRO (103 min) are newly restored in 4K from their original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eTwo feature length audio commentaries with producer David F. Friedman and Something Weird’s Mike Vraney\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers\u003c\/li\u003e\n\u003cli\u003eArchival image galleries\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003e32 page booklet titled “Friedman’s Seven Beauties” with an essay by historian Shawn D. Langrick\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Something Weird + Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":54472251080995,"sku":"DPIX-009 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54472251113763,"sku":"DPIX-009","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Adult_Version_Jekyll_Hide_Zorro_P1_DPIX-009_7U9NS.jpg?v=1777649256"},{"product_id":"resurrection-of-eve","title":"Resurrection Of Eve","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2026 Subscribers:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Robert Sammelin), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e3,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSan Francisco based Jim \u0026amp; Artie Mitchell were at the forefront of bringing the sexual revolution to American cinema. Working within their filmmaking collective known as Cinema 7, the brothers and their group of regular artistic collaborators created dozens of intelligent, thought provoking, and radically minded erotic feature and short films. Mitchell Brothers Film Group will bring their extraordinary body of work to Blu-ray and 4K UHD in deluxe, restored editions, many of which will be coming to disc for the first time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWith ocean waves crashing below, Eve sits by herself atop a cliff. Suddenly a man approaches her; the man who will change her life forever. Her memories of childhood torment slowly give way to the optimism of young adulthood, and a chance at happiness with successful DJ Frank Paradise, but everything changes in a near-fatal instant when a car crash leaves Eve disfigured. While her new face emerges and her scars start to heal, she must now accept that those who seemed to love her may not have had Eve's true desires and best interests in mind. The chains of conformity begin to strain as Eve learns the value of overcoming her deep-rooted guilt and repression.\u003c\/p\u003e\n\u003cp\u003eFollowing the sensational success of \u003cem\u003eBehind the Green Door\u003c\/em\u003e, the Mitchell Brothers felt they needed to create something even bigger and more meaningful as a follow-up. With their regular cinematographer Jon Fontana, taking on co-directing duties along with Artie Mitchell, RESURRECTION OF EVE was another instant smash hit, infused with pointed commentary on race and women's liberation. Starring as the three versions of Eve, Marilyn Chambers (\u003cem\u003eInsatiable\u003c\/em\u003e), along with Mimi Morgan (\u003cem\u003eFemmes DeSade\u003c\/em\u003e) and Nancy Weich in their feature film debuts, the film also boasts a strong supporting performance from Johnnie Keyes (\u003cem\u003eHeavenly Desire\u003c\/em\u003e). With a tremendous original soundtrack by Richard Wynkoop and extraordinary visuals and editing by Jon Fontana and Mark Bradford EVE further elevated the art of erotica and at last comes to Blu-ray newly restored in 4k from the Mitchell Brothers Film Group.\u003c\/p\u003e\n\u003cp\u003edirected by: Jon Fontana and Artie Mitchell\u003cbr\u003estarring: Marilyn Chambers, Mimi Morgan, Nancy Weich, Johnny Keyes\u003cbr\u003e1973 \/ 84 min \/ 1.37:1 \/ English DTS-HD MA 1.0\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e84 minute feature presentation of RESURRECTION OF EVE newly restored from the 35mm blow-up CRI with the following sound options:\n\u003cul\u003e\n\u003cli\u003ethe original English language mono soundtrack\u003c\/li\u003e\n\u003cli\u003ea feature-length audio commentary with Marilyn Chambers biographer Jared Stearns\u003c\/li\u003e\n\u003cli\u003ean audio interview with actor Johnnie Keyes moderated by Ashley West of The Rialto Report\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Many Faces Of Marilyn Chambers featurette\u003c\/li\u003e\n\u003cli\u003ePorn Was Born Here: A History of The Tenderloin\u003c\/li\u003e\n\u003cli\u003eNever before seen trims \u0026amp; outtakes\u003c\/li\u003e\n\u003cli\u003e8mm digest version of Resurrection Of Eve\u003c\/li\u003e\n\u003cli\u003eInitial release trailer\u003c\/li\u003e\n\u003cli\u003eWide release trailer\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003e11x17 replica Japanese one-sheet\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/8k41Na-Wbew?si=JFsIquNKUms0b3I6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mitchell Brothers Film Group","offers":[{"title":"Limited Edition Slipcase","offer_id":54601497575715,"sku":"MBFG-002 CASE","price":37.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54601497608483,"sku":"MBFG-002","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Resurrection_of_Eve_P1_MBFG-002_GL2D1.jpg?v=1777649131"},{"product_id":"the-films-of-hisayasu-sato-volume-3-kyrie-eleison-rafureshia-turtle-vision","title":"The Films of Hisayasu Satô: Volume #3 - Kyrie Eleison \/ Rafureshia \/ Turtle Vision","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2026 Subscribers:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Steak Mtn.), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e4,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA master of combining the macabre with nihilistic and ill-fated character studies of women on the brink of madness, this third volume of THE FILMS OF HISAYASU SATÔ collects a trio of the master filmmaker's most unsettling (and unpredictable) looks at doomed and demented relationships, all newly restored in 2K from their 35mm original camera negatives, under Satô's supervision, and presented by Pink Line on Blu-ray for the first time.\u003c\/p\u003e\n\u003cp\u003eSatô's study of the psychosexual world of loneliness, KYRIE ELEISON tells the story of a socially isolated medical researcher who begins a series of bizarre experiments she hopes may heal her boyfriend left comatose after an accident. But as her wild experiments in wiretapping have increasingly violent and masochistic results, the lines between reality and nightmare start to irreparably blur.\u003c\/p\u003e\n\u003cp\u003eIn RAFURESHIA, Satô takes a much lighter, almost absurdist tone, in this equally bizarre approach to the Pink film, as he explores the interwoven lives of a set of very different women, as each tries to explore and harness their sexuality in the face of unavoidable abuse. Set in an almost fairytale arc, albeit one with incestuous fathers, dominatrixes, and lecherous homeless men, RAFURESHIA plays with mood and comedy with surprising results.\u003c\/p\u003e\n\u003cp\u003eSatô updates the tropes of a classic “rape and revenge” drama in the highly voyeuristic TURTLE VISION, as a traumatized young woman grows into a cynical and vengeful adult, focusing her carnal and often bloodthirsty rage on the men who court her. Dramatically photographed with exemplary use of Satô’s fixation on video and TV monitors, the story is framed around a professional cameraman (working for an unknown shadowy outfit) whose work takes him to shoot covert footage of sexual acts.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô\u003cbr\u003estarring: Takeshi Itô, Kinako, Yumi Yoshiyuki, Kiyomi Itô, Rei Takagi, Naomi Sugishita, Miki Fukada\u003cbr\u003e1991-1995 \/ 186 min (combined) \/ 1.85:1 \/ Japanese 1.0 Mono\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Region Free Blu-ray Set\u003c\/li\u003e\n\u003cli\u003e“Lord, Have Mercy” (9 min) - an interview with Hisayasu Satô on KYRIE ELEISON\u003c\/li\u003e\n\u003cli\u003e\"Escape 3\" (14 min) - an interview with Hisayasu Satô on RAFURESHIA\u003c\/li\u003e\n\u003cli\u003e\"Revenge in S\u0026amp;amp;M\" (12 min) - an interview with Hisayasu Satô on TURTLE VISION\u003c\/li\u003e\n\u003cli\u003e\"A Guide to Pink\" (20 min) - an interview with critic Yoshiyuki Hayashida\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles: Part 3\" (27 min) - Shinjuku with Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e40-page perfect-bound book with essays by: Dakota Noot, Amber T, Fred Barrett (limited edition only)\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003cbr\u003e\n\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%\" src=\"https:\/\/www.youtube.com\/embed\/_dGTewdCaZk?si=jF9_Twfms1JfC2FW\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":54601555214627,"sku":"PL-003 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54601555247395,"sku":"PL-003","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Sato_Vol3_P1_PL-003_SK1JU.jpg?v=1777649039"},{"product_id":"the-naughty-world-of-stanley-long","title":"The Naughty World of Stanley Long","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e\u003cstrong\u003e2026 Subscribers:\u003c\/strong\u003e\u003c\/span\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/p\u003e\n\u003cp\u003eThis special limited edition 2-Disc Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Richard Hilliard), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e3,000 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFew names are more synonymous with the British sexploitation business than Stanley Long. For close to two decades, Long produced nearly two dozen blockbuster nudies, often working with notorious filmmaker Derek Ford, while pushing the limits of the British Board of Film Censors. Presented here are a quartet of his most ribald and rebellious efforts, all newly restored in 4K by Distribpix, from their best surviving film elements.\u003c\/p\u003e\n\u003cp\u003eIn THE WIFE SWAPPERS, a stern-faced doctor hosts a series of case studies focused on the often unsettling world of swingers. Director Derek Ford and producer Long’s first international hit played British cinemas for months, and helped to usher in a more permissive era in the country’s film industry. Featuring James Donnelly (\u003cem\u003eScum\u003c\/em\u003e, \u003cem\u003eCrown Court\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eA small-time rock band and their young female admirers-cum-lovers embark on a cross-Britain tour in GROUPIE GIRL, and the girls discover the darker side of the musicians they adore. An earnest and sobering examination of groupie culture, director Derek Ford works from a strong screenplay co-authored by regular Long collaborator, Suzanne Mercer. What happens when a man isn’t satisfied with only his wife for a lover?\u003c\/p\u003e\n\u003cp\u003eA series of light-hearted vignettes expose SEX AND THE OTHER WOMAN. Long takes on directing duties in this more farcical, upbeat comedy which piles on both high jinks and non-stop nudity. Featuring Maggie Wright (\u003cem\u003eTwins of Evil\u003c\/em\u003e) and Jane Cardew (\u003cem\u003eThe Flesh and Blood Show\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eESKIMO NELL tells the tale of a first time director trying to make a “serious” art film, who finds himself in over his head as each of his financial backers demands a very different, and far sexier, final product. A hilarious meta-comedy about the state of the British exploitation film industry directed by Martin Campbell (\u003cem\u003eGoldenEye\u003c\/em\u003e), co-scripted by and starring Michael Armstrong (\u003cem\u003eMark of the Devil\u003c\/em\u003e), and starring veteran comedian\/actor Roy Kinnear (\u003cem\u003eWilly Wonka and the Chocolate Factory\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003edirected by: Stanley Long\u003cbr\u003estarring: James Donnelly, Suzanne Mercer, Maggie Wright, Jane Cardew, Michael Armstrong\u003cbr\u003e1969, 1970, 1972, 1974 \/ 87 min, 87 min, 88 min, 86 min \/ 1.37:1; 1.66:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eTHE WIFE SWAPPERS (87min), GROUPIE GIRL (87 min), SEX AND THE OTHER WOMAN (88 min) and ESKIMO NELL (86 min) are newly restored in 4K from their best surviving film elements\u003c\/li\u003e\n\u003cli\u003eNever before seen “Continental Sequences” for \u003cem\u003eThe Wife Swappers \u003c\/em\u003eand \u003cem\u003eGroupie\u003c\/em\u003e \u003cem\u003eGirl\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus “Continental Sequences” for Stanley Long’s films \u003cem\u003eNaughty\u003c\/em\u003e and \u003cem\u003eOn The Game\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary tracks for all four “Continental Sequences” by British film historian Gavin Whitaker\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer for \u003cem\u003eGroupie Girl\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eDouble-sided artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003cbr\u003e\n\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%\" src=\"https:\/\/www.youtube.com\/embed\/viC24X1IDrU?si=M0eATrEXk37cahtU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":54862458978595,"sku":"DPIX-010 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":54862459011363,"sku":"DPIX-010","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Naughty_World_Stanley_Long_P1_DPIX-010_IHU7C.jpg?v=1777648193"},{"product_id":"the-lustful-turk-the-joys-of-jezebel","title":"The Lustful Turk + The Joys of Jezebel","description":"\u003cp\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2026 Subscribers\u003c\/strong\u003e\u003c\/span\u003e: this is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Rich Long), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2,500 units\u003c\/strong\u003e\u003c\/span\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom nudies to roughies to ultra weird regional curiosities, the sexploitation world welcomed any filmmaker working in any genre, so long as the limits of nudity and sex on screen were pushed as far as they could go - but never all the way. DISTRIBPIX, one of the legendary names in the genre (and whose extensive library will be the backbone of this line), will offer single, double, and even triple feature Blu-rays highlighting works from every corner and crevice of softcore smut, from the dawn of nudie cuties to the all-but-hard 70s, with plentiful lost and never on disc films along the way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the 1960s, producer David F. Friedman’s ongoing quest to elevate the quality of sexploitation production led to numerous period pieces and costume comedies. Among his most lavish such efforts were THE LUSTFUL TURK (1968) and THE JOYS OF JEZEBEL (1969), each of which has been newly restored in 4K from their 35mm original camera negatives and come to Blu-ray for the very first time from Something Weird + Distribpix.\u003c\/p\u003e\n\u003cp\u003eIn THE LUSTFUL TURK (1968), the English aristocrat Emily Barlow is en route to India along with her handmaiden, when pirates seize hold of their ship. Taking the ladies back to their harem, their captors force them to partake in the most unspeakably erotic torments, which Emily reports in detail to her friend Sylvia back home via regularly written letters. Amid the depravity and barbarism of the world in which she's now held captive, the debauched Emily slowly calculates how she might take her revenge. Directed by Byron Mabe (\u003cem\u003eShe Freak\u003c\/em\u003e), this raucous and sensual costume saga was penned by Friedman himself, and features Linda Stiles (Lee Frost’s \u003cem\u003eThe Animal\u003c\/em\u003e) and Harvey Shain (\u003cem\u003eFugitive Girls\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eJezebel herself has just arrived in hell, but quickly strikes a deal with Lucifer in THE JOYS OF JEZEBEL (1969), so that she can return to earth provided she delivers to Lucifer the beautiful virgin Rachel. However, since the cunning Jezebel has scores to settle, she uses her powers to switch bodies with Rachel, sending the beautiful innocent back to hell in her place! While Lucifer searches for Rachel in hell, Jezebel is free to exact her revenge. An exquisitely beautiful and extraordinarily colorful sexy comedy, from director Peter Perry (\u003cem\u003eKiss Me Quick\u003c\/em\u003e), THE JOYS OF JEZEBEL stars Luanne Roberts (\u003cem\u003e101 Acts of Love\u003c\/em\u003e) and Dixie Donovan (\u003cem\u003eThe Notorious Cleopatra\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003edirected by: Byron Mabe, Peter Perry \u003cbr\u003estarring: Luanne Roberts, Emily Barlow, Linda Stiles, Harvey Shain\u003cbr\u003e1968, 1969 \/ 71 min, 76 min \/ 1.37:1, 1.85:1 \/ English \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eTHE LUSTFUL TURK (71 min) and THE JOYS OF JEZEBEL (76 min) are newly restored in 4K from the original 35mm camera negatives presented with their original mono soundtracks\u003c\/li\u003e\n\u003cli\u003eTwo feature length audio commentaries by The Sin Syndicate podcast: writer\/researcher Gentry Austin and adult film historian Casey Scott\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e“Honest Dave” Still With The Show\u003c\/em\u003e - 2003 archival documentary\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eDouble-sided artwork\u003c\/li\u003e\n\u003cli\u003e11x17 replica Japanese one-sheet for \u003cem\u003eThe Lustful Turk\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/F78HDSQemv0?si=djQG5DautS0Mmc_e\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Something Weird + Distribpix","offers":[{"title":"Limited Edition Slipcase","offer_id":55001462178083,"sku":"DPIX-011 CASE","price":39.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":55001462210851,"sku":"DPIX-011","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Lustful_Turk_Joys_Jezebel_P1_DPIX-011_SKW38_1b2ec89b-9f28-48bc-bc14-56afdb472c14.jpg?v=1777498580"},{"product_id":"the-films-of-hisayasu-sato-volume-4-soft-skin-save-the-last-dance-for-me-survey-map-of-paradise-lost","title":"The Films of Hisayasu Satô: Volume #4 - Soft Skin \/ Save the Last Dance for Me \/ Survey Map of Paradise Lost","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e2026 Subscribers\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition Blu-ray comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Steak Mtn.), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book,\u003c\/span\u003e and is limited to \u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e4,000 units\u003c\/strong\u003e\u003c\/span\u003e.\u003c\/span\u003e It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe 1970s through 1990s saw a boom in transgressive genre filmmaking throughout Asia, but particularly in Japan where the \"Pinku Eiga\" became one of the most popular types of films produced in the country. With young filmmakers seizing an opportunity to hone their craft, countless soon-to-be celebrated directors created work which were more daring, unusual, and often shocking than just about any of the other genre cinema ergering across the globe. Pink Line will present exclusive new restorations of select works from key Asian erotic filmmakers, with a focus on Japan's Pinku Eiga genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBetween his earliest films in the mid 1980s and his 1990s \"golden age,\" Hisayasu Satô consistently developed and honed his cinematic voice. Drawing on contrasts in his work across radically different career stages, these three films offer a range of insights into the artist's most compelling and recurring obsessions. \u003c\/p\u003e\n\u003cp\u003eOne of his earliest features, SAVE THE LAST DANCE FOR ME (1986), Satô offers a meta-reflection on learning his craft through the story of two former film students facing the world and their own troubled relationship, through video-voyeurism and sex work. When violence manifests within sexual situations, a sense of fatalism threatens to take the lovers to darker places.  A profound meditation upon loneliness and especially distance, both physical and perceived, Satô begins his visual experiments involving rephotographed video textures and discordant dialogue.\u003c\/p\u003e\n\u003cp\u003eIn SURVEY MAP OF PARADISE LOST (1988), an investigative reporter gets wrapped up in a story about phone sex clubs, and a sex worker named Midori who worked in one. Unexpectedly thrust into a world of sadomasochism, isolation, and suicidal musings, he struggles to fulfill his job responsibilities. But when it emerges that a recent death involving a sex worker was videotaped, and the reporter obtains the tape, they can hardly avoid becoming more deeply involved. Maintaining his obsession with the poetry of loneliness, Satô weaves a story of characters obsessed with death and exploring the most violent sides of pleasure.\u003c\/p\u003e\n\u003cp\u003eAs the theatrical heyday of Pink films was winding down, SOFT SKIN (1998) shows Satô's lens turning to the absurd and comedic, eschewing the cynicism and unhappiness experienced by the characters in his earliest work for something more whimsical. When Minako, a lonely housewife neglected by her busy, self-centered husband and adult children, finds a suitor, they concoct a false kidnapping narrative to tease her family. Meanwhile, a young woman responsible for a series of chainsaw murders is also on the run. While television news (including Minako's daughter as a newscaster) devours these sensational stories, all manner of bizarre interactions unfold as Minako contemplates her future.\u003c\/p\u003e\n\u003cp\u003edirected by: Hisayasu Satô \u003cbr\u003estarring: Moeko Izawa, Toru Nakane, Junko Asahina, Tomomi Kuribayashi, Kiyomi Itō, Rio Yanagawa, Bunmei Tobayama, Ai Kobayashi, Yutaka Ikejima, Hiromi Kuronuma, Kenji Mizuhashi\u003cbr\u003e1998 (SS), 1986 (StLDfM), 1988 (SMoPL) \/ 88 min (SS), 60 min (StLDfM), 65 min (SMoPL) \/ 1.85:1 \/ Japanese\u003cspan data-sheets-root=\"1\"\u003e 1.0 Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Region Free Blu-ray Set\u003c\/li\u003e\n\u003cli\u003eNew director-approved restorations, performed by Vinegar Syndrome\u003c\/li\u003e\n\u003cli\u003e\"She’s a Star\" (13 min) - an interview with Hisayasu Satô on SOFT SKIN\u003c\/li\u003e\n\u003cli\u003e\"No Caller ID\" (15 min) - an interview with Hisayasu Satô on SURVEY MAP OF PARADISE LOST\u003c\/li\u003e\n\u003cli\u003e\"Office Lady\" (13 min) - an interview with Hisayasu Satô on SAVE THE LAST DANCE FOR ME\u003c\/li\u003e\n\u003cli\u003e\"The Abnormal Family\" (18 min) - an interview with Kyôko Godai, co-writer of SOFT SKIN\u003c\/li\u003e\n\u003cli\u003e\"Walking in Circles: Part 4\" (13 min) - Shinjuku with Hisayasu Satô\u003c\/li\u003e\n\u003cli\u003e\"The One They Don't Want You To See!\" (23 min) - a bonus interview with Hisayasu Satô on HORSE, WOMAN, DOG\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%\" src=\"https:\/\/www.youtube.com\/embed\/3FZsC2RppEw?si=7teOiJzo4crLOVVH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Pink Line","offers":[{"title":"Limited Edition Slipcase","offer_id":55092421001507,"sku":"PL-004 CASE","price":42.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":55092421034275,"sku":"PL-004","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Sato_Vol4_P1_PL-004_C70BW.jpg?v=1778877799"},{"product_id":"the-autobiography-of-a-flea-c-b-mamas","title":"The Autobiography of a Flea + C.B.Mamas","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(191, 156, 47);\"\u003e\u003cstrong\u003e2026 Subscribers:\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e This is NOT included in your Subscription. If you'd like to purchase it, you will need to login to view your special 50% off SRP pricing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis special limited edition 2-Disc Blu-ray set (1 x Blu-ray, 1 x CD) comes with a spot gloss hard slipcase + slipcover combo \u003cmeta charset=\"utf-8\"\u003e(designed by Robert Sammelin), \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eincludes a 40-page perfect bound book with essay by Ashley West of The Rialto Report\u003c\/span\u003e and is limited to \u003cstrong\u003e\u003cspan style=\"color: #bf9c2f;\"\u003e2,500 units\u003c\/span\u003e\u003c\/strong\u003e. It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSan Francisco based Jim \u0026amp; Artie Mitchell were at the forefront of bringing the sexual revolution to American cinema. Working within their filmmaking collective known as Cinema 7, the brothers and their group of regular artistic collaborators created dozens of intelligent, thought provoking, and radically minded erotic feature and short films. Mitchell Brothers Film Group will bring their extraordinary body of work to Blu-ray and 4K UHD in deluxe, restored editions, many of which will be coming to disc for the first time.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAt the height of their popularity, The Mitchell Brothers oversaw the production of what was arguably their most unusual film to date: a lavish period piece directed by Broadway star Sharon McKnight, and adapted from an notorious erotic novel -- THE AUTOBIOGRAPHY OF A FLEA.\u003c\/p\u003e\n\u003cp\u003eTeenage Belle lives in the bucolic French countryside, living a mostly pious life, until the learned Father Ambrose catches her engaged in a most indecent act. Promising to spare her scandal if she gives herself fully to service the needs of the church, Belle is soon indoctrinated to the carnal habits of the priesthood as Ambrose, along with Fathers Clement and Superior, instruct her in the art of giving pleasure. But when Belle’s lecherous uncle, M. Verbouc learns of the whole affair, he too begins to desire his niece’s sweet flesh…\u003c\/p\u003e\n\u003cp\u003eA pastiche of hypocritical Victorian mores, THE AUTOBIOGRAPHY OF A FLEA stars Jean Jennings (\u003cem\u003eDefiance of Good\u003c\/em\u003e), Annette Haven (\u003cem\u003eAll Night Long\u003c\/em\u003e), Paul Thomas (\u003cem\u003eGetting Personal\u003c\/em\u003e), John Holmes (\u003cem\u003ePrisoner of Paradise\u003c\/em\u003e), and character actor John Tate (TV’s \u003cem\u003eDynasty, The Day of the Triffids\u003c\/em\u003e). Effortlessly witty and lavishly produced, Mitchell Brothers Film Group is proud to bring this ribald classic to Blu-ray, newly restored and as an added bonus, the newly restored disc premiere of The Mitchell Brothers' 1976 rarity C.B. MAMAS starring Leslie Bovee (\u003cem\u003eTake Off\u003c\/em\u003e) and Desiree West (\u003cem\u003eSex World\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003edirected by: Sharon McNight, Jim and Artie Mitchell\u003cbr\u003estarring: Jean Jennings, Annette Haven, Paul Thomas, John Holmes, John Tate, Leslie Bovee, Joey Silvera, Desiree West\u003cbr\u003e1976, 1976 \/ 93 min, 56 min \/ 1.33:1 \/ English DTS-HD MA 1.0\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray + CD\u003c\/li\u003e\n\u003cli\u003eBlu-ray Disc contains the 93 minute feature presentation of THE AUTOBIOGRAPHY OF A FLEA newly restored from the 16mm CRI as well as the 56 minute presentation of C.B. MAMAS also newly restored from the 16mm A\/B rolls\u003c\/li\u003e\n\u003cli\u003eBoth films presented with their original English language mono soundtrack\u003c\/li\u003e\n\u003cli\u003eNever before seen outtakes and trims\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailers\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eDouble-sided artwork\u003c\/li\u003e\n\u003cli\u003e11x17 replica one-sheet for The Autobiography of a Flea\u003c\/li\u003e\n\u003cli\u003eBonus CD with the original music from The Autobiography of a Flea composed by Steven Schuster\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"aspect-ratio: 16 \/ 9; width: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/YR512hXU7BY?si=Hz4HxqZlb_d0j7x5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Mitchell Brothers Film Group","offers":[{"title":"Limited Edition Slipcase","offer_id":55092440236323,"sku":"MBFG-003 CASE","price":37.99,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":55092440269091,"sku":"MBFG-003","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0752\/7697\/6419\/files\/Autobiography_Flea_CB_Mamas_P1_MBFG-003_BP86E.jpg?v=1778878922"}],"url":"https:\/\/melusine.com\/collections\/slipcase.oembed?page=2","provider":"Mélusine","version":"1.0","type":"link"}